24.02 – “oink” premiere @ sonar festival, munich, d
2016
10.11 – “imaginary being” & “the mouth…” @ galerie mario mazzoli, berlin
26.10 – “the mouth…” at ‘idiotie und widerstand’ @ sophiensaele, berlin
08.10 – “imaginary being” and “the mouth…” at city of women festival, ljulbjana, sl
22.08 – “the mouth is a dirty whole” @ hypernatural sounds, liebig12, berlin
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Excerpt from “VALVE STRATEGIES”:
About VALVE STRATEGIES:
Quadraphonic Solo Composition — 35 minutes
Live Excerpt from Noisexistance Festival, Kampnagel, Hamburg — 29 March 2019
Utilizing self-designed Quadraphonic Trumpet, electronics and voice. Mapping the instrumental architecture onto the performance space; investigating the venn diagrams of spatialization and song-structure; singing, signals, noise.
Excerpt from “OINK”:
About OINK:
OINK is a sonic taxonomy – a piece about animals and the sounds that make them, about sounds and the languages that make them, about languages and the animals that make them. A solo for trumpet, voice, and wild beasts. Cast of Animals in this excerpt (performed live) include: Frinja, Binjo, Penjifur, Franjinoo, Frinjo, Tronjo.
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For Trumpet, Piano and Sine Waves
The Mouth Is A Dirty Whole:
Instrument-mouth plays Mouth-instrument — Moan, Lurch, Wheeeze, Sigh…
Feedback Hands:
Hands cupped and cupping: one as ear, the other mouth, (de)coupling.
Imaginary Being:
Imaginary Being is a taxonomy of the contemplative and absurd as evoked through animal mediums: beasts roaming in a room, ruminating on onomatopeia and universal language.
Radical Objects:
Implo/Explo of the Trumpet, Mouth Resonator, Supply-side Bell Economics.
Quadraphonic Trumpet:
Finger-Valves direct the Air-Flow Traffic – all Cardinal Points Directive.
